STUDIO SPECIFICATIONS
RIG INFO
(IMC) Mark Roberts Orthogonal Motion Control Rig. (8 Axis of movement)
Track: 600cm
Lift: (Max Lens Height) 160cm (Max PERISCOPE Lens Height = 115cm)
Arm: 300cm
Pan: 360 degrees
Tilt: 360 degrees (275 degrees with Mitchell 400ft Magazine loaded)
Roll: 360 degrees1
Focus: Bellows focus on Mitchell film camera, iris motors for other external cameras
Zoom: (Not used on Mitchell film camera), native on the Phillips digital camera and iris motors for all other external cameras
3x Auxiliary Axis ports for use with the following:
Large Model Rotate (360) (4x4ft Surface)
Small Model Mover (360)
Linear Model Mover 100cm
IN-HOUSE CAMERA INFO
Mitchell Fries 35R Camera with Bellows Focus for macro work. Nikon Lens mount with set of Carl Zeiss Primes (25mm, 35mm, 50mm, 85mm) and Nikon Primes (14mm, 20mm, 24mm 28mm, 35mm, 55mm, 85mm, 105mm) BNCR Lens mount with Periscope option. (Specialist Lenses available at extra cost)
400ft film magazines
Shooting speeds: 1fpm to 100fps 180 degree fixed shutter
Video assist and DPS frame capture system with Mix / overlay
Works dedicated to Mark Roberts’ FLAIR Software
Uses include Beauty / Special Effects / Multiple Pass / Animation / Pack Shots
Canon 5D MarkII (Firmware v2.0.4)
21.1MP full frame CMOS sensor
DIGIC 4 processor
ISO range expandable to 25600
Full HD Movie recording to Quicktime .MOV
PAL: 1920×1080 : 25 fps 1920×1080 : 24 fps (actual 23.976 fps)
NTSC: 1920×1080 : 30 fps (actual 29.97 fps)
High-res 3.0” VGA LCD with Live View with HDMI and composite video outputs
3.9fps JPEG shooting up to card capacity
9-point AF + 6 Assist AF points
TESTED & RECOMMENDED EXTERNAL HIRE CAMERAS (BY QUOTE)
Arriflex 435 Xtreme 35mm Film Camera
0.1 - 150fps Super 35mm Film Gate
Shutter: 180° to 11.25° electronically adjustable
PL Lens mount offering the wide range of Arri and Arri compatible lenses
400ft / 1000ft film magazines
Arri Alexa 2K Digital Camera Recording Formats:
0.75 - 60fps (*Framerate based on Firmware 4.0.1*)
ARRIRAW: 2880 x 1620, 12 bit log signal without white balance or exposure index processing applied. Requires an ARRIRAW T-Link certified recorder
QuickTime ProRes 4444 12bit / ProRes 422 10bit (SxS Cards)
In addition to HD-SDI Outputs
Electronic rolling shutter, adjustable from 5.0° to 358.0° with 1/10 degree precision
ARRI universal ELM Mount allows PL mount lenses and ability to use other lens mounts
EI 800 base sensitivity (EI 160 to EI 3200) 14 stops for all sensitivity settings from EI 160 to EI 3200, as measured with the ARRI Dynamic Range Test Chart
Sony F900 Cine-Alta (HD Cam) BNCR mount Lens (Contact for info)
2/3 inch CCD HDCAM recording at 1080P 16:9 aspect ratio
Switchable Frame Rates: 24p, 25p, 30p, 23.98p, 29.97p, 50i, 60i, 59.94i
12 bit 7:1 compression 3:1:1 colour sampling
RED ONE camera (4K/2K/HD)
1-125FPS (*Resolution dependant*)
12 megapixel bayer pattern CMOS sensor 'Mysterium' 24.4 mm by 13.7 mm (Records 4096 by 2304 pixels) capable of 2K and 4.5K records to REDCODE RAW Codec
11.3 stops of total dynamic range
Default sensitivity of ISO 320
BASIC LIGHTING KIT
2 x 5K VistaBeam 600
2 x 4ft 4 bank KinoFlo
Rosco Lighting Panel Kit (4x panels)
4 x Arri 650w
4 x Arri 1K
2 x Arri Junior 2K
2 x Arri Baby 5K
1 x 100w Dedo Kit
150w Dedo Kit (4x dimmable lamps)
Lighting stands and gaffer stands
Grip, Clamps, Poly Holders / Magic Arms / Spigots / Adaptors etc.
(Full in-house itemised list available)
On site consumables: Gels / Clips / Camera Tapes / Coloramas / Black Wrap / Air Duster etc.
